Richard Broadbridge has spent nearly two decades building the technology that makes volumetric capture feel less like a format and more like a presence.

As CEO of 4DViews, he works at the intersection of immersive technology and live performance – most recently on An Ark at The Shed in New York and Playing with Fire with the Philharmonie de Paris, a Cannes Immersive 2026 nominee. Both filmed in Grenoble. Both worth seeing.

He thinks carefully about what it means to capture a human being in three dimensions – and why that difference matters when the experience is the whole point.